“Optical Geometry”, a stunning painting that seamlessly combines the styles of geometric abstraction and op-art.
The art world is constantly in a state of flux, with new artists emerging and new styles and techniques being introduced. In the midst of all this, it’s always exciting to see an artist who has a true grasp of the history and techniques of a particular style, and who is able to take that knowledge and make it their own.
At first glance, “Optical Geometry” is a study in contrast. The bright red shapes immediately draw the eye, stark against the dark-blue hues of the other rectangular shapes. It’s impossible to tell at first whether the background is white or dark blue – the optical illusion created by the intermingling shapes is so strong that the viewer can’t quite trust their own perception. This is the hallmark of op-art, a style that uses optical illusions to create a sense of movement or depth that isn’t actually there.
But while op-art is certainly a major influence in “Optical Geometry”, it’s not the only one.
The use of geometric shapes and bold, contrasting colors is a hallmark of geometric abstraction, a style that emerged in the early 20th century and is characterized by a focus on non-representational forms. The shapes in “Optical Geometry” are not meant to represent anything specific – they exist purely for their own sake, and the viewer is meant to appreciate them for their form and color alone.
Of course, “Optical Geometry” is more than just a simple combination of two styles. The interplay between the shapes and colors creates a complex web of visual interest, with the red shapes seeming to float above or below the blue rectangles, depending on the viewer’s perspective. This sense of movement is a key element of op-art, but in “Optical Geometry” it’s given an added dimension thanks to the use of geometric shapes. The squares and rectangles in the painting create a sense of order and structure that is at odds with the illusion of movement and depth, resulting in a visual experience that is both dynamic and thought-provoking.
It’s clear that the artist behind “Optical Geometry” has a deep understanding of both geometric abstraction and op-art, and has used that knowledge to create a painting that is truly exceptional.
The bold use of color and shape is eye-catching and memorable, while the optical illusions created by the interplay between those shapes keep the viewer engaged and constantly questioning what they’re seeing.
But “Optical Geometry” is more than just a technical exercise. There’s an energy and vitality to the painting that makes it impossible to look away from. The use of color is particularly striking – the red shapes are almost aggressive in their intensity, while the blue rectangles have a cool, calming effect. It’s a testament to the artist’s skill that these disparate elements can work together so harmoniously.
As with all great works of art, there’s a sense of mystery to “Optical Geometry” that is difficult to pin down. The title itself is suggestive – what is the relationship between the optical illusions created by the intermingling shapes and the concept of geometry? Is there a deeper meaning to the painting beyond its visual impact? These are questions that will likely never be fully answered, but it’s a testament to the power of the painting that they exist at all.
In the end, “Optical Geometry” is a painting that demands to be seen in person. The way the shapes and colors interact with each other is difficult to capture in a photograph, and the optical illusions created by the intermingling shapes are even more striking when viewed up close. This is a painting that rewards careful observation and contemplation, and one that will stay with the viewer long after they’ve left the gallery.
This beautiful artwork print is a minimal and chic way to elevate your space. The artwork stands out from any angle as the matte museum-quality paper diffuses the light.
Created by Nizako exclusively for Photoelixir.com
• Paper thickness: 10.3 mil
• Paper weight: 189 g/m²
• Opacity: 94%
• ISO brightness: 104%
• Paper is sourced from Japan